Al Karpenter
"The Forthcoming"
featuring Sunik Kim, Dominic Coles & Triple Negative
released 21st July 2023 digital and LP
ever/never (NYC)
Mastered by James Trevascus
On their third album, Al Karpenter merges its singular vision with a host of collaborators. After finally becoming a band in 2022 with Marta Sainz and Enrique Zaccagnini from Santander joining Al Karpenter and Mattin, and in synchronicity with a recent CIA Debutante team-up, this group rises to the challenge of expanding its parameters. As Al Karpenter’s resident theoretician Mattin explains, “The last record was a result of the pandemic, introverted, isolated and with a blues energy. Instead, “The Forthcoming” is the outcome of the possibilities of making music and touring again. We had such an amazing time on tour with Sunik Kim, Dominic Coles and Triple Negative that at the end of our concert at Cafe Oto, we all played together.”
Whether delving into manic plunderphonics with Sunik Kim on “A Brand New Brontophobia” [an intense fear of extremely loud, natural noises in the environment - dict. ed.] or accessing the hidden burrows that tunnel beneath polite society with anarchic rock-folk deconstructionists Triple Negative on the title track, Al Karpenter is revolving around its own matrix. “Poison Sun” throws the New York-based Coles into the mix and you feel as if you are seesawing between competing parties, attempting to soak up their atmospheres during each pass through. Mattin again: “The feeling of exuberance, chaos and fragmentation is confronted with the pleasures of collective music making. This record is outwards, cathartic, full on and complex. Against algorithmic fascism and Tiktok attention span, The Forthcoming attempts at a sonic liberation front through its genre screwing approach. This record is of today.” It’s about time—The Forthcoming is here, for ever more.
The Wire #476 September 2023 by James Gormley
The Wire, The Office Ambience, Issue # 475, September 2023 (London)
The Wire Tapper 63, October 2023 (London)
esporaespazioa
01.01.2024 - 1 week ago
cosecha 2023 uzta
Hauexek dira, 2023an gure orbita hurbilean argitaratu diren diskoak, baita fanzine eta libururen bat ere. Entzun, zabaldu, erosi, bultzatu bertoko artista esperimentalen lanak.
Reunimos aquí un listado de discos que se han publicado en nuestra órbita más cercana. Escucha, difunde, compra, apoya a les artistes esperimentales locales.
A.Maiah F(r)icciones hegoa 2023/09 LP
A.Maiah/Mata Re-act ramble records 2023/09 CD
Abaunz Beire Series negras 2023/06 CDR
Al Karpenter The Forthcoming ever/never records 2023/07 LP
Al Karpenter & CIA Debutante s/t ever/never records 2023/07 LP
Amsia Street of Crocodiles Series negras 2023/03 CD
Asfáltica & Passion Farolas Poemaria crystalmine 2023/02 K7
Baseline + ibonrg + Miguel A. García Dispectrgs República Ibérica Ruidista 2023/12 digital
Benjamín Vergara / Matías Riquelme Asimetrías tayul 2023/06 Digital
Bidai (Mikel Vega / Xabi Strubell) Biarrezgaur hegoa 2023/12 LP
Ccoowwss & Tube Tentacles Abnormal Blood Karma Detonation Tapes 2023/08 K7
Circuitrip / Tube Tentacles split New Approach Records 2023/03 K7
Dopelganger (Garazi Navas / Miguel A. García) Sainen Hildo hegoa 2023/12 LP
Driellya / Gloomy Life Celestial abhorrence 2 anonim noise recs 2023/06 digital
Driellya / Miguel A. García Basement Corner 1000th release basement corner emissions 2023/11 digital
Driellya / Red Hills Contra la opresion el deseo. Compilation rata sorda recs 2023/10 digital
Emankore (Garazi Gorostiaga / Itziar Markiegi) Eman plakton Hazi Esporak! 2023/12 CDR
Enrike Hurtado Hardcore Punk Dissasters Hazi Esporak! 2023/03 CDR
Enrike Hurtado Ghost Futures crystalmine 2023/05 K7
Enrike Hurtado 20.20 repetidor 2023/09 CD
Gaba/Paezur The Void Series negras 2023/09 digital
Gravelbed Dead Future Gravelbed 2023/02 LP
Guzural / Homeless Network Split Autoekoizpena2023/12 K7
Izarne Oyarzabal Ópalo crystalmine 2023/10 K7
Joseba Agirrezabalaga & Mikel Vega lepok urpa i musel 2023/01 LP
Katza 5th anniversary crystalmine 2023/06 K7
Miguel A. García Oppolomuni Hazi Esporak 2023/05 CDR
Miguel A. García Eyezorros Az 2023/10 LP
Miguel A. García Eraginie Cronica 2023/09 CD
Miguel A. García & Coeval Huncill Cronica 2023/06 digital
Miguel A. García & Jean-Luc Guionnet Duo Hera Corp. 2023/11 K7
Miguel A. García & Mikel Vega Explets crystalmine 2023/07 K7
Mila Cloud / Driellya split declive diy 2023/01 CD
N & Tzesne Sismo Denovali 2023/04 LP
Saio irekia (Ander Fernandez/Aida Torres/Tzesne) Borderline#2 Series negras 2023/04 digital
Saio irekia (Ander Fernandez/Andre Koenig/Tzesne) Borderline#3 Series negras 2023/06 digital
Saio irekia (Ander Fernandez/Joseba Agirrezabalaga/Tzesne) Borderline#1 Series negras 2023/03 digital
Schneider/Vega schneider collaborations schneider collaborations 2023/10 LP
Seth Kim-Cohen + Regler (Mattin & Anders Bryngelsson) Regel #12 (Ambient) crystalmine2023/03K7
TTT/Obleak split Mylar 2023/02 CD
Tube Tentacles, Amphetamine Onanism n/t (Split) Brutal Arratia Records 2023/05 digital
Txema Agiriano MEM historias de un festival mem 2023/11 liburua
UHIN Uhin#5 uhin 2023/03 fanzine
Útero Bitch & Genoveva Genocide & Daiben Necroxidation Saw Waves Donation records 2023/01 CD
Valentina Vursik / Baseline / Miguel A. García / IbonRG mem quartet mem 2023/11 LP
vv/aa / zenbaiten artean ER046 Compilation V5 eclectic reactions 2023/05 K7
Wolkokrots (Miguel A. García / Ilia Belorukov) Hurdergnod Minimal Resource Manipulations 2023/04 digital
Adds to the charts of wcbn fm 8/8 (Ann Arbor)
1 ERIC NACHTRAB/BASTARD IDEALS BASTARD IDEALS Spiritual Slop
2 CHAD MCCULLOUGH The Charm of Impossibilities Calligram
3 AL KARPENTER AL KARPENTER AND CIA DEBUTANTE ever/never
4 AL KARPENTER The Forthcoming Ever/Never
5 MIKAELA DAVIS And Southern Star Kill Rock Stars
6 TABI YOSHA True Colors [EP] Bonsound
A Jazz Noise, 18.8.2023, Barcelona
Daily Tune #2343
"A Brand New Brontophobia"
by Al Karpenter
Marta Sainz, Enrique Zaccagnini, Mattin & Sunik Kim (...I think)
A dream-like ('mare-like) quicksand evoking dub, kosmiche, a flash of FZ, disintegrating Beat...
wfmu Heavy Airplay September 2023
CARL STONE - Electronic Music from 1972-2022 (Unseen Worlds)
FAMOUS MAMMALS - Instant Pop Expressionism Now! (Siltbreeze Records)
GINA BIRCH - I Play My Bass Loud (Third Man Records)
SNOOPER - Super Snooper LP (Third Man Records)
ELECTRIC EELS - Spin Age Blasters (A Scat Record)
PJ HARVEY - I Inside The Old Year Dying (Partisan)
MAXINE FUNKE - River Said (Disciples)
STAN CLEAR & THE CLOSING DOORS - Brambles & Baricades EP (Fuzzy Warbles Cassettes)
WITCH - Zango (Desert Daze Sound)
PASCAL COMELADE / RAMON PRATS / LEE RANALDO - Velvet Serenade (Staubgold)
BUSH TETRAS - They Live In My Head (Wharf Cat)
WATER MACHINE - Raw Liquid Power (Upset! The Rhythm)
MALOMBO JAZZ MAKERS - Malompo Jazz (Strut Records)
WIREHEADS - Potentially Venus (Tenth Court)
DEATH AND VANILLA - Flicker (Fire Records)
MAPACHE - Swinging Stars (Innovative Leisure)
NEW PORNOGRAPHERS - Continue as a Guest (Merge)
KING KRULE - Space Heavy (Matador)
ME LOST ME - Rpg (Upset! The Rhythm)
RUBBER BLANKET - Our Fault (Mt. St. Mtn.)
WRECKLESS ERIC - Leisureland (Tapete)
DUSTIN WONG - Perpetual Morphosis (Hausu Mountain)
JUNIOR MINT PRINCE - I Saw Freak Joy (Sweet Wreath)
WHEATIE MATTIASICH - Old Glow (Open Mouth)
CERAMIC DOG - Connection (Knockwurst Records)
A RAINCOAT - It Came In the Night (Just Add Water)
MOTORBIKE - s/t (Feel It Records)
BILE SISTER - Living on the Edge (We Are Time)
GUNN TRUSCINSKI NACE - Glass Band (Three Lobed Recordings)
KASSA OVERALL - Animals (Warp)
CLEERS - I've Lived So Long Tonight (Sweet Wreath)
JULIE BYRNE - The Greater Wings (Ghostly International)
LA JUNGLE - 7" EP (Hyperjungle)
THE CLIENTELE - I Am Not There Anymore (Merge)
BEVERLY GLENN-COPELAND - The Ones Ahead (Transgressive)
BONEHEADS - New Jersey (Bonehead)
BANA HAFFAR - Inimaa' (Touch)
EMMA TRICCA - Aspirin Sun (Bella Union)
VARIOUS - Southeast of Saturn Vol. 2 (Third Man Records)
ANOHNI AND THE JOHNSONS - My Back Was A Bridge For You To Cross (Secretly Canadian)
DOROTHY MOSKOWITZ & THE UNITED STATES OF ALCHEMY - Under an Endless Sky (Tompkins Square)
RUNI GRAPH - For I Know That The View of A Tree Is Not Subjective (Mahorka)
ALICE PHOEBE LOU - Shelter (Self Released)
HAZEL CLINE - Spell Song (Sweet Wreath)
MATT ROBIDOUX - Music For Aluminum Corn (Crash Symbols)
TINARIWEN - Amatssou (Wedge)
MIKE COOPER - Life & Death in Paradise (Paradise of Bachelors)
VERA ELLEN - Ideal Home Noise (Flying Nun)
HALF HUMAN - Intelligent Design (Specious Arts)
LIFEGUARD - Crowd Can Talk / Dressed in Trenches (Matador)
ANNIE HART - The Weight of a Wave (Uninhabitable Mansions)
YES SELMA - Mazes of the 13th Moon (Ramble Records)
YOUTH LAGOON - Heaven Is A Junkyard (Fat Possum)
EAST PORTAL - East Portal (Akp)
CHUCK JOHNSON - Burden of Proof (All Saints)
JOHN COLTRANE WITH ERIC DOLPHY - Evenings at the Village Gate (Impulse!)
ROMAN NORFLEET AND BE PRESENT ART GROUP - s/t (Mississippi Records)
CHARIF MEGARBANE - Marzipan (Habibi Funk)
VARIOUS - Taiwan Disco (Aberrant Records)
JOZEF DUMOULIN - This Body, This Life (Carton)
ANNA ST. LOUIS - In The Air (Woodsist)
HALF JAPANESE - Jump Into Love (Fire Records)
DREAM WIFE - Social Lubrication (Lucky Number)
SWANS - The Beggar (Young God)
AKANE - Night-Time Birds (Keroxen)
COLIN ANDREW SHEFFIELD - Images (Elevator Bath)
THE INVISIBLE HANDS - The Big Minute (Abduction)
SUN RA AND HIS ARKESTRA - Jazz in Silhouette: Expanded Edition (Cosmic Myth Records)
JEFF TOBIAS - Music From Milky Way (Yes Reality)
SEA MOSS - Remoss2 (Ramp Local)
WEEGEE - Primitive Thrill (Weegee)
GUMBO - The Devils/We Don't Care (Just Add Water)
BALKA SOUND - s/t (Strut)
M.O.T.O - M.O.T.O's The Wall of Phlegm (Aardvark Record Mastering)
WOLF EYES - Difficult Messages (Disciples)
BURNT ENVELOPE - I'm Immature: The Singles Vol II (Hozac Records)
BLACK MARKET BRASS - Hox (Colemine Records)
VARIOUS - Bossa Nova at Carnegie Hall (Liberation Hall)
FASCINATIONS GRAND CHORUS - Terror In The Night (Silent Stereo)
GLITTER WIZARD - Kiss the Boot (Kitten Robot)
NICKODEMUS - Soul & Science (Wonderwheel Recordings)
THE REDS, PINKS, & PURPLES - The Town That Cursed Your Name (Slumberland)
CATHERINE CHRISTER HENNIX - Solo for Tamburium (Blank Forms Editions)
MOONLIGHT BENJAMIN - Wayo (Ma Case)
NON PLUS TEMPS - Dark On Harmon EP (Public Nipples Unlimited)
HOLY WAVE - Five of Cups (Suicide Squeeze)
VARIOUS - Antología del Canto a lo Divino (Mississippi)
R. RING - War Poems, We Rested (Don Giovanni)
MARK VERNON - Call Back Carousel (Discrepant)
STEF + THE SLEEVEENS - Give My Regards to the Dancing Girls (Sweet Time Records)
SEA MOSS - Seamoss2 (Ramp Local)
GUATE GRANLI - Monstersol (Feeding Tube Records)
NNNNN - Plates (Justin Sabaj Music)
MICHAEL HURLEY - Sweetkorn (Mississippi Records)
SAM BURTON - Dear Departed (Partisan Records)
AHMED BEN ALI - Subhana (Habibi Funk)
CHRISTIAN BOUCHARD - IV (Empreintes Digitales)
BRIAN BAUMBUSCH - Chemistry for Gamelan and String Quartet (New World Records)
CHAINO - Temptation: The Exotic Sounds of Chaino (Modern Harmonic)
EUGLOSSINE - Bug Planet Is The Current Timeline (Hausu Mountain)
JOCHEN ARBEIT + SONJA KOSCHE - Zuhaus (Erototox Decodings)
JULIAN LAGE - The Layers (Blue Note)
LISA STENBERG - Monument (Fylkingen)
VARIOUS - OST-Kraut! (Bear-Family)
MADELINE KENNEY - A New Reality Mind (Carpark)
GUIDED BY VOICES - Welshpool Frillies (Guided By Voices Inc.)
NO ARTIST - Something Weird - Hey Folks! It's Intermission Time! (Modern Harmonic)
RICK DEITRICK - The Unguitarist: Complete Works 1969-2022 (Tompkins Square)
RVG - Brain Worms (Fire)
ALAN BRAUFMAN - The Fire Still Burns (Valley of Search)
HIGH RISE - Dispersion (Black Editions)
DAMON SMITH/LOUIS WALL/NNN COOK - Fire Point (Notice Recordings)
MANDELBROT SHAKES - s/t (Lead Mine Records)
ROCKIN' HORSE - Julian the Hooligan (Just Add Water)
SENSATION SEEKERS - It's Clappin' Time (Spinout Nuggets)
AL KARPENTER - The Forthcoming (Ever/Never)
PERSONATOR - He Dreamt Lightly (No Label)
A PRODUCE - The Clearing (Independent Project Records)
BRYAN DAY + DERECK HIGGINS - Woven Territories (Public Eyesore)
FRENCH79 - Teenagers (Intenrexterne)
KATRINA KRIMSKY - 1980 (Unseen Worlds)
SIR DOUGLAS QUINTET - Texas Tornado Live (Liberation Hall)
GROUPA - Kind of folk vol. 4: Ibera (Allice)
PURE MATERIAL - Orange Whip Licorice (Dandy Boy)
TOMMY EMMANUEL - Accomplice Two (CGP Sounds)
VARIOUS - Cries From the Youth (Greensleeves)
VARIOUS - Autonomy: The Productions of Martin Rushent (Ace Records)
7038634357 - Neo Seven (Blank Forms Editions)
ALAN BRAUFMAN - Valley of Search (Valley of Search)
BIG BLISS - Vital Return (Good Eye)
SIX ORGANS OF ADMITTANCE - Sleep Tones (Vdsq)
CELISTIA - Dormida En Sus Ojos (Philatelia Records)
JEAN CLAUDRIC - Jeu de Dames (Born Bad)
SHAWNIS AND THE SHIMMERS - Shimmer Shake (Adang)
WWW - Live From "Del Valle Estadio" (Sweet Time Records)
SANDY EWEN/JASON NAZARY - A Beaded Gesture (Notice Recordings)
JOHN KRAUSBAUER & DAVID MARANHA - Bringing It Back (Public Eyesore)
LES THANES - Heed the Warning (Disques Rogue)
COLOURED BALLS - Heavy Metal Kid (Just Add Water)
THE BQS - s/t (Cort Records)
THURSTON MOORE/SAMARA LUBELSKI/BILL NACE - Live at the Stone (Decimus)
ARVO ZYLO - 333 (No Part Of It)
JOHN ANDREWS & THE YAWNS - Cookbook (Woodsist)
WERNER DAFELDECKER - Neural (Room40)
CLAUD - Supermodels (Saddest Factory Records)
ELLIOTT SHARP - Phlogiston (Erototox Decodings)
RUNAR MAGNUSSON - Sub-Photic Scenario (Erototox Decodings)
JOHN DUNCAN - 3ndlss (Erototox Decodings)
TOBIN SPROUT - Demos and Outtakes Two (Persona Non Grata)
ELLIOTT SHARP, BRANDON LOPEZ, HENRY KAISER, SCOTT AMENDOLA - Minus X, A Tribute to the Music of Iannis Xenakis (Erototox Decodings)
CRUZ PERRO MALDITO - Truquetin Resorte (Keroxen)
THE STILL BROTHERS - It's Not Over (Lewis Recordings)
RICK REED - The Symmetry of Telemetry (Elevator Bath)
PRIVATE SORROW - More Disturbance (Midnight Mines)
SULTRY - Promotional Not to Be Sold (Culture Desert)
Radio plays:
https://www.agorasolradio.org/podcast/ondasonora/radowitzky_falcon-grosgoroth-pablo-prisma-y-las-piramides-al-karpenter-cia-debutante-christian-bouchard-lea-boudreau-christina-giannnone-hyunhye-seo-siavas-hamini/
https://www.thewire.co.uk/audio/on-air/james-gormley-presents-adventures-in-sound-and-music-68830
https://radiokras.net/index.php?id=5699
https://www.radiopanik.org/emissions/l-etranger/show-467-flirted-jr-tenantlike/
https://spinitron.com/KXSF/pl/17656624/Flappy-s-Den-rebroadcast
http://electronic-therapy.over-blog.com/2023/07/playlist-du-14-juillet-2023.html
https://www.rrr.org.au/explore/programs/teenage-hate/episodes/25652-teenage-hate-16-july-2023
https://www.mixcloud.com/TheTransmitterDown/show-312-paro-loves-you/
https://www.freeformfreakout.com/fffoxy-podcast-226/
https://www.fro.at/fadimat105-august23/
https://www.citr.ca/radio/bepi-crespan-presents/episode/20230728/
https://www.wfmu.org/playlists/shows/130359
https://www.wfmu.org/playlists/shows/130698
https://inmemoryofjohnpeel.com/2023/08/19/in-memory-of-john-peel-show-230818-podcast-playlist/
https://www.byte.fm/sendungen/knuspern/2023-08-20/22/
https://widgets.spinitron.com/WCBN/pl/17730626/Crinkle-Cut-Space-Time
https://wavefarm.org/radio/wgxc/schedule/jhtbft
https://wfmu.org/playlists/shows/131689
https://www.elmuelle1931.com/blogs/blog/news-52-playlist-el-muelle-1931-shop-%E2%80%BF
https://wfmu.org/playlists/shows/133799
https://wkdu.org/playlist/63021
https://www.ivoox.com/san-onofre-11-xxvi-mattin-interviu-audios-mp3_rf_119335793_1.html
https://wkdu.org/playlist/63021
https://wkdu.org/playlist/63121
https://theanswerisinthebeat.net/2024/01/14/show-697-1-14-24/
https://kfjc.org/listen/playlist?i=72024
https://kfjc.org/listen/playlist?i=72091
https://kfjc.org/listen/playlist?i=72336
https://kfjc.org/listen/playlist?i=72449
https://cashmereradio.com/episode/acid-shampoo-25-s2-contemporary-poo-w-vincent-manfuoco/
GRRAWR September 2023 mix
Rai Radio 3 (Roma)
Mutazioni dub, danze post punk e distorsioni ambient-industrial attraversano questa notte di Battiti, a partire dalla rivisitazione del maestro Adrian Sherwood delle melodie psichedeliche di “Reset”, lavoro a quattro mani tra Panda Bear e Sonic Boom, per arrivare alla dimensione totalmente allucinata degli spagnoli Al Karpenter, in solo e insieme al duo francese C.I.A. Débutante. Nel mezzo, balliamo con i ritmi irresistibili e paranoici dei Non Plus Temps e ci abbandoniamo alle atmosfere wave e misteriose degli emiliani. Lourdes Rebels
DFM
Another Nice Mess
by DJ Marcelle
18.07.2023
www.dfm.nu
1. Signature tune: PIL - Careering (Peel Session) (DJ Marcelle edit)
2. Anne-James Chaton + Andy Moor - Princess In A Mercedes Class S 280
7'': Princess In A Car (2011, Unsounds)
3. Anne-James Chaton + Andy Moor + Yannis Kyriakides - Garniture
digital single: Handmade Volume 01: Douceurs (Unsounds)
4. The Fall - Gray
10'' ep: O-Mit (Cherry Red Records)
5. GAŁGAŁ - Wort
lp: Ich Schwöre Ich Hab Angst (Abstand Label)
6. Muslimgauze - Analog Zikr 5
2xlp: Martyr Shrapnel (I Shall Sing Until My Land Is Free)
7. Al Karpenter with Triple Negative - The Forthcoming
lp: The Forthcoming (ever/never records)
8. Adhianto Aryo - Geno
lp: Sintaksis (DIVISI62)
9. Carl Stone - Merkato
3xlp: Electronic Music from 1972-2022 (Unseen Worlds) release date: 4th August 2023
10. DJ Travella - Good Beat
lp: Mr Mixondo (Nyege Nyege Tapes)
11. Phelimuncasi – Sesi Gora (producer – DJ MP3)
lp: Phelimuncasi: 2013 - 2019 (Nyege Nyege Tapes)
12. Normal Nada The Krakmaxter - Beautiful Chaos
lp: Tribal Progressive Heavy Metal (Nyege Nyege Tapes)
13. Wilhelm Bras – Despair At Times Of Rejection
lp: Living Truthfully Under Imaginary Circumstances (2018, Attitudes)
14. Memory Scale - Anyway River
digital album: And All Things Begin To Drift (Audiobulb Records) release date: 5th August 2023
15. Wilhelm Bras – Feeding Goddesses
lp: Living Truthfully Under Imaginary Circumstances (2018, Attitudes)
16. Anne-James Chaton + Andy Moor + Yannis Kyriakides - Sur Mesure
digital single: Handmade Volume 01: Douceurs (Unsounds)
17. Anne-James Chaton Avec Alva Noto Et Andy Moor - Chapitre IV: In The ISS
cd & book: Décade (2012, Raster-Noton)
18. Anne-James Chaton Avec Alva Noto Et Andy Moor - Chapitre V: Calculs
cd & book: Décade (2012, Raster-Noton)
19. Alvin Curran – Bay Area 1
lp: Drumming Up Trouble (Black Truffle)
20. The Fall - Room To Live / Wings / Smile
cassette: Recreation And Degradation. The Fall live. Dirt Club. Bloomfield, New Jersey. 4 April 1983
21. CÄBRÄNEGRÄ– Junto Às Cabras (Stefanie Egedy Remix)
cd: The Wire Tapper 62 (Wire Magazine)
22. The Dead Goldfish Ensemble - Fractal Landscape
lp: Fishy Tales (conatala)
23. Carl Stone - Morangak
3xlp: Electronic Music from 1972-2022 (Unseen Worlds) release date: 4th August 2023
Radio Flora, Hannover
Hypnotizer - SoundExkursionen
08.08.2023
www.radioflora.de
01 Oxbow - „Dead Ahead“ Ipecac
02 Emil Amos - „Zone Black“ Drag City
03 Chocolate Hills - "Saragossa Wells" Orbscure
04 Al Karpenter - „The Forthcoming (with Triple Negative)“ Ever/Never Records
05 Corker/Conboy - "In The Dust And Haze" Vertical Form
06 Stunt Rock - „A New Kind Of Selfie Stick That Is A….“ Born Dead
07 A.P.E. - "Lost Echo" Dorado
08 Andre Williams - „Agile Mobile And Hostile“ Bloodshot
09 Codeine - "Washed Up" Numero Group
10 Jimmy Page - „Lucifer Rising (Part 1)“ Boleskine House Records
11 X Or Size - "Take Flight" Good Morning Tapes
12 Al Karpenter - „Happy B-Day! (with Dominic Coles and Sunik Kim)“ Ever/Never Records
13 Grischerr Feat. Jules - "Jettison" MAL Recordings
14 Sinéad O'Connor - „War“ Chocolate And Vanilla
15 Napalm Death - "You Suffer" Earache Rec.
16 Mission To The Sun - „Unborn“ Felte
17 X Or Size - "Aether Ore" Good Morning Tapes
18 GBK (Gartmayer, Berghammer, Kern) - „Suncheck“ Klanggalerie
19 Herron - "Reducer" MAL Recordings
20 Al Karpenter & CIA Debutante - „Fuck You All To Fade No More“ Ever/Never Records
21 James Emrick - "Saxd" Soda Gong
22 David Shea - „Sunset/Sunrise“ Room40
23 Niko Tzoukmanis - "Flashback" Libreville Rec
FSK 93.00 Hamburg
Doctore Xyramat
11.08.2023, 22.00-23.00
www.fsk-hh.org
mixcloud.com/DocXyr
Xyramat – 5
Hyunhye Seo - Eel II
Hackedepicciotto – Aichach
She Spread Sorrow – Star
Al Karpenter - Poison Sun (with Triple Negative and Dominic Coles)
Hellas – Shinjuku
Christina Giannone - 2
Thee Now Show by Mark
Three D Radio – 93.7FM – Adelaide Community Radio
Reviews:
The Wire #481 (March 2024, London)
Al Karpenter are Álvaro Matilla (formerly of KRPNTRS and founder of the notorious Brutus zine), Berlin based producer/noise musician Mattin, vocalist/bassist Marta Sainz and percussionist Enrique Zaccagnini. The Forthcoming is a collaboration with Sunik Kim, Dominic Coles and Triple Negative, which came about following a meeting of musical minds at London’s Cafe Oto. Mattin explains, “It’s a kind of post-Covid euphoria and understanding that what is coming is bleak but the joy of doing music together overcomes any fear.”
In the title track, the word “forthcoming” is wailed urgently in airy cycles like it was early morning, underpinned by a dry sirenish guitar. “ A Brand New Brontophobia” is inspired by Mattila’s fear of thunder. “The sky is talking” , he chants, with claps and electric explosions locked into a thumping bass drum and dissected sped-up female vocal. The plaintive, insistent vocals of “Drood (Can You Hear Me Now)” recall Gavin Bryars’s Jesus’ Blood Never Failed Me Yet, and “1995” has a slow Tom Waitsish groove with Twin Peaks-like reversed vocal effects over tuneful metallic percussion.
The opening track of Karpenter and CIA Debutante’s collaboration “Born Dead” is hooked around a repeating two word dystopian mantra “War’s dead” , its haunting voices obscured by a distant loudspeaker effect. This sets the tone for a ghostly series of grooves marrying noise with heavy percussive rhythms, recorded as a live improvisation at producer Mattin’s Berlin studio.
Al Karpenter are likened to The Fall, but Matilla is more influenced by Johnny Cash, John Cale, Nick Cave and Laurie Anderson, and Zaccagnini by Iannis Xenakis, Robert Fripp and Pere Ubu. Elsewhere I hear Cathy Berberian, Elaine Mitchener and flashes of Bob Drake. For Mattin, these two albums express “the constant fragmentation of technological development” and represent an “alliance in noise against the chaos and confusion of our times”. Jo Hutton
Dusted Magazine Jennifer Kelly, 3 August 2023, NYC
The Forthcoming by Al Karpenter
Al Karpenter swamps threads of song in seething banks of noise and dissonance. You find yourself focusing on blaring surface noise, while sense and melody percolates somewhere underneath. It is very modern in that there is too much going on and you are always distracted, always struggling to find the point, but you know it’s there. If it doesn’t make sense that’s on you.
This pair of releases allows for fervid collaboration, across and within the noise experimental genre. The Forthcoming supplements the Spanish outfit’s live line-up—the instigator Mattin plus Marta Sainz and Enrique Zaccagnini—with like minded samplers, warpers and droners: Sunik Kim, Dominic Coles and Triple Negative. The self-titled brings in medieval futurists of CIA Debutante, just off their Siltbreeze outing Willow, Down, reviewed here a month or so ago (“The sound is immersive and disturbing, noises like factory equipment clashing with eerie Suicide-like beats.”). You can’t really call one disc a solo album and the other a joint effort since both gain intrigue and unpredictability from outside influences.
But let’s do it anyway The Al Karpenter disc dissolves and reforms across six tracks, now muttering imprecations over inchoate punk noise (“The Forthcoming”), now approaching bass thumping electro-dance clarity (“A Brand New Brontophobia”), now disintegrating into incantatory chaos (“Poison Sun”), depending on who is involved. The title track, aided by London’s Triple Negative, launches florid arias out of a chaotic mesh of guitars and drums, where the instruments natter on towards their own ends, unconnected by time signature or key. A shimmery, shoegaze-y instrumental break tips into lyricism but slides out of true, an antic beat erupting from it like an irregular heart in flight. Contrast that with the clean, driving agitation of “A Brand New Brontophobia,” where Sunik Kim guests. A jittering, techno bass rumbles, clipped onslaughts of snare-like drum machines rattle, as Mattin murmurs and croons. “Happy B-Day,” one of the cuts with Dominic Coles, opens giddily with keyboard before cutting all the way back to guitar notes and murmured threat (“I’m not afraid to kill or die”), alternately minimal and maximal. “Drood (Can You Hear Me Now?)” offers the clearest distillation of Al Karpenter’s haunted eclecticism, layering vertiginous synths over muttered alienation.
S/T by Al Karpenter & CIA Debutante
The album with CIA Debutante also delivers dystopic poetry but couched more rhythmically and with the agitation of punk rock. “Born Dead” lumbers like a giant mechanical beast, its beat slow and inexorable, giving shape to masses of guitar feedback and intermittent shouts of the title. “Public Scaffolding” bangs more frantically, as a voice rages against income inequality. It slips into static but doesn’t lose its structure; you can hear the toms rattling all the way through. “Medieval Cocaine” sounds the most purely CIA Debutante-ish of all these tracks, the ping and squiggle of electronics framing unknowable, evocative verses. “Fuck You All to Fade No More,” dances inscrutably on synth rhythms and shattering machine beats, as the lyrics shatter the f-word into fragments, repeatedly.
None of this is especially easy listening, and you won’t be putting it on at your next dinner party. But it is full of layers and passionate inquiry, and the chaos is like the world right now. Listen and feel the ground under you crumble and everything sure come into doubt.
BeachSloth's Newsletter 6 August 2023
Things have hope as Al Karpenter allows sunlight into “The Forthcoming.” Far from some honey-speckled affair, this is cautious optimism. Yet the whole group plays like a latter-day Red Krayola “Parable of Arable Land.” Indeed, acid-fried and chaotic, the songs lumber forward. Rhythm is an afterthought and remains unpredictable. Speed isn’t of the essence, anyway. Instead, the more prominent aspect of the work comes from this sense of community. You get the sense that everybody is happy to be in each other’s company. It is a warmth that can be felt, even in chaotic arrangements.
Sometimes the tracks drift by as broken fragments of dreams. “1995 (w/ Triple Negative)” has this wooziness that has a hypnogogic pop quality. The nods to KWJAZ are apparent on this one, and considering how much I wished for more artists to sound like that delirium, I’m happy to see it pop up again on my musical radar a decade later. Underneath the monotone vocalizations is a barely contained glee, a possibility of what could be. No wave is essential to the broken-down cadences, with a few songs touching upon a burnt-out late 70s New York Lower East Side madness.
I like this. There is genuine earnestness, a desire to convey an honest emotion. No manipulation to be found here; this is blunt, not cruel, a strange sort of kindness.
Blow Up #304 September 2023 by Stefano I. Bianchi
ROCK DE LUX, Barcelona
Al Karpenter / Al Karpenter & C.I.A. Débutante
The Forthcoming / S/T › ever/never, 2023
Por Jesús Rodríguez Lenin
07. 09. 2023
Al Karpenter es el seudónimo del músico vizcaíno Álvaro Matilla, pero desde 2022 es también el nombre de una banda formada por el propio Matilla, Marta Sainz, Enrique Zaccagnini y Mattin. De raíces musicales eminentemente garageras –al estilo Jon Spencer Blues Explosion, aunque con influencias de la no wave o Sonic Youth–, ha formado parte a lo largo de los últimos veinte años de numerosos grupos como Morraia, Los Chromos o Lapidaciôn Läser –varios de ellos, proyectos de una única grabación–, además de haber impulsado o participado en propuestas más experimentales como KRPNTRS –el punto de partida, en 2005, tanto de su alias Al Karpenter como de su trayectoria musical propiamente dicha, gran parte de ella publicada a través de su propio sello, Le Brutal Records–, Silver Surfing Machine, Mubles, No Jump!, Opus Glory Ignominia, El Palomar, The Heart Junkies, Taruho, Ètrangler L´Etranger, Zaratathustra, Kurtz-e o NUZ y haber colaborado con músicos de las órbitas más experimentales de todo tipo de espectros –personalidades como Mattin, Enrike Hurtado, Ainara Legardón, Loty Negarti o el director de cine Jorge Núñez de la Visitación–.
Como Al Karpenter, su primer trabajo aparece en 2012: “Dead Chickenhead’s Revenge”, un álbum de cinco temas con influencias, entre otros, de Suicide. Con más discos aparecidos en diversos sellos (Munster, Crystal Mine, Bruit Direct Disques, etc.) en estos últimos diez años –solo uno, “Musik From A Private Hell” (2021), está disponible en Spotify, aunque hay otros, como el citado “Dead Chickenhead’s Revenge”, que se pueden escuchar a través de www.archive.org o se pueden localizar en bandcamp o SoundCloud–, ahora coinciden dos lanzamientos diferentes, editados por un mismo sello discográfico, el estadounidense ever/never records: “The Forthcoming”, en solitario, y “S/T”, grabado en colaboración con el dúo C.I.A. Débutante, de Paul Bonnet y Nathan Roche.
“The Forthcoming” es un compendio de las formas más neuróticas del free rock en el que caben lo industrial (sin ritmos maquinales), el ruidismo poblado de glitches o la improvisación libre, con ese punto esquizofrénico que siempre tiene otro artista que parece una de las grandes influencias de Al Karpenter, esa figura legendaria de Fluxus y el antiarte que fue Henry Flynt. Aunque he dicho anteriormente que “The Forthcoming” es un álbum “en solitario”, no lo es: ahí están colaboradores como el cineasta y músico ruidista angelino de origen coreano Sunik Kim, el improvisador estadounidense Dominic Coles o el grupo Triple Negative (un trío formado en Londres por el neozelandés Matthew Hyland, la alemana Anja Büchele y el estonio Dennis Dubovtsev), y todos ellos aportan variedad estilística a un álbum más libre y diverso que “S/T” (que significa, en realidad, “Sin título”), grabado íntegramente junto a C.I.A. Débutante, un grupo formado en París en 2016 por el francés Paul Bonnet y el australiano Nathan Roche. Este disco podría ser definido, con todas las reservas, como más rock. Aquí sí hay algo parecido a elementos rítmicos y una forma de emitir voces que encontramos en algunos cantantes, desde Mark E. Smith hasta Captain Beefheart, pasando por David Thomas, sobre todo en su trabajo al frente de Pere Ubu. Es, eminentemente, una construcción más minimalista, más lo-fi (a lo The Shadow Ring) y, sobre todo, más reconocible para quien se aventure por los terrenos del avant-rock, indudablemente más “asequibles” que los de la improvisación libre. De todas formas, los dos discos son fabulosas manifestaciones de una vanguardia que, por valentía y nihilismo, es heredera directa de los caminos insospechados abiertos en los años setenta por Throbbing Gristle. ∎
LOOP Valparaiso, Guillermo Escudero 6 de septiembre 2023
Mattin es un artista y músico de Bilbao, País Vasco, quien está activo desde 2001, con cinco álbumes y un sencillo editados como Al Karpenter y más de setenta discos publicados como Mattin. Es miembro del cuarteto de Mubles y participa en la banda Billy Bao y el proyecto Regler. Gestionó el sello experimental W.M.O./r. que publicó discos de Bruce Russel de The Dead C, del compositor y trombonista Radu Malfatti y el legendario compositor de música electrónica italiano Maurizio Bianchi, entre otros artistas. Ha colaborado con importantes músicos de la vanguardia como Alan Courtis, Eddie Prévost, Rosy Parlane, Tony Conrad, Valerio Tricoli, por nombrar a algunos.
Mattin trabaja principalmente con ruido e improvisación y ha escrito ensayos y realizado charlas sobre software libre, improvisación, contra la noción de propiedad intelectual y es autor de los libros “Noise & Capitalism” (2009) junto a Anthony Iles y de “Social Dissonance” (2022).
Agente provocador o vasco agitador, son algunos de los apelativos dados a Mattin en la entrevista realizada en febrero de 2010 por David Keenan en The Wire. Estos adjetivos hacia su persona quizás se relacionan con su activismo político y su incansable participación en el movimiento musical Rock Radikal Vasco, a través de su grupo de hardcore punk, Billy Bao.
Al Karpenter actúa como banda desde el 2022, junto a los improvisadores Marta Sainz (bajo y voz), Enrique Zaccagnini (electrónica) y Mattin.
El sello de Nueva York ever/never records publica en julio de este año dos discos de Al Karpenter, “The Forthcoming” y “Al Karpenter & CIA Debutante”.
La reseña de hoy al tercer álbum de Al Karpenter, “The Forthcoming”, es un disco que consiste en 6 temas en los que participan Sunik Kim, Dominic Coles y Triple Negative.
“The Forthcoming (w/ Triple Negative)” - que abre el disco - comprende la participación del dúo folk con sede en Londres, Triple Negative. Aquí se despliega un remolino de voces que tararean ‘forthcoming, you never know…' y un incesante rasgueo de guitarras acústicas desafinadas que tienden a diluirse, para luego dar paso a una filuda guitarra que se distorsiona, languidece y se desarma en un proceso de deconstrucción. “1995 (w/ Triple Negative)” se siente primitivo, con una percusión cruda e hipnótica con guiños a la exótica. “A Brand New Brontophobia (w/ Sunik Kim)” muestra al músico, escritor y cineasta de Los Ángeles, Sunik Kim manipulando diversos sonidos a distintas velocidades, creando un collage sonoro caótico y hiperquinético, mientras se atraviesan incesantes ráfagas de líneas de sintetizador de Mattin. “Poison Sun (w/ Triple Negative & Dominic Coles)” presenta a Triple Negativ y al artista experimental de Nueva York, Dominic Coles con su spoken-word con atisbos a la desaliñada voz de Mark E. Smith, mientras el saxo balbuceante, los ruidos electrónicos y una algarabía de voces se desarticulan en el seno de la improvisación. En “Happy B-Day! (w/ Dominic Coles & Sunik Kim)” el diálogo solitario de Coles se funde entremedio de voces moribundas y latigazos sintéticos, creándose una atmósfera oscura e inquietante.
La última canción que cierra este disco, “Drood (Can You Hear Me Now)” es un canto arrastrado, melancólico y afligido bajo el tapiz de drones oscuros y un coro desafinado.
Si bien Al Karpenter tiene dosis de improvisación, punk y el ruidismo, la simbiosis resultante que se produce propone un lenguaje musical propio y único.
ENGLISH
Mattin is an artist and musician from Bilbao, Basque Country, who has been active since 2001, with five albums and one single released as Al Karpenter and more than seventy albums released as Mattin. He is a member of the Mubles Quartet and participates in the Billy Bao Band and the Regler Project. He managed the experimental label W.M.O./r. which has released records by The Dead C's Bruce Russell, composer and trombonist Radu Malfatti, and legendary Italian electronic music composer Maurizio Bianchi, among other artists. He has collaborated with important avant-garde musicians such as Alan Courtis, Eddie Prévost, Rosy Parlane, Tony Conrad, Valerio Tricoli, to name a few.
Mattin works mainly with noise and improvisation and has written essays and given talks on free software, improvisation, against the notion of intellectual property and is the author of the books "Noise & Capitalism" (2009) together with Anthony Iles and “Social Dissonance”. (2022).
Agent provocateur or Basque agitator, are some of the names given to Mattin in an interview conducted in February 2010 by David Keenan in The Wire. These adjectives towards his person may be related to his political activism and his unrestless participation in the Rock Radikal Vasco musical movement, through his hardcore punk group, Billy Bao.
Al Karpenter has been performing as a band since 2022, along with improvisers Marta Sainz (bass and vocals), Enrique Zaccagnini (electronics) and Mattin.
The New York label ever/never records publishes in July 2023 two albums by Al Karpenter: "The Forthcoming" and "Al Karpenter & CIA Debutante".
Today's review of Al Karpenter's third album, “The Forthcoming”, consist of 6 tracks featuring Sunik Kim, Dominic Coles and Triple Negative.
“The Forthcoming (w/ Triple Negative)” - which opens the album - features London-based folk duo Triple Negative. They unfurl a whirlwind of voices humming 'forthcoming, you never know…' and an incessant strumming of out-of-tune acoustic guitars that tend to fade, to later give way to a sharp guitar that distorts, languishes and disarms in a process of deconstruction. “1995 (w/ Triple Negative)” feels primitive, with raw, hypnotic percussion with nods to exotica. “A Brand New Brontophobia (w/ Sunik Kim)” sees Los Angeles-based musician, writer, and filmmaker Sunik Kim manipulating various sounds at varying speeds, creating a chaotic, hyperkinetic sound collage as traverses Mattin’s relentless bursts of synth lines. “Poison Sun (w/ Triple Negative & Dominic Coles)” features Triple Negative and New York’s experimental artist Dominic Coles with his spoken-word with glimpses of Mark E. Smith's scruffy vocals, as stammering sax, electronic noises and a hubbub of voices are disjointed within improvisation. On “Happy B-Day! (w/ Dominic Coles & Sunik Kim)” Coles' solitary dialogue blends amid dying vocals and synthetic whiplash, creating a dark and haunting atmosphere. The final song that closes this album, “Drood (Can You Hear Me Now)” is a slurred, melancholy, sorrowful chant under a tapestry of dark drones and an off-key chorus.
Although Al Karpenter has doses of improvisation, punk and noise, the resulting symbiosis that is produced proposes their own unique musical language.
Anxious Magazine (25th July 2023, Poland)
Na swoim trzecim albumie Al Karpenter łączy wyjątkową wizję z wieloma innymi współpracownikami. Po tym, jak w 2022 roku Marta Sainz i Enrique Zaccagnini z Santander dołączyli do Al Karpenter i Mattina, a także w wyniku niedawnej współpracy z CIA Debutante, grupa ta podjęła wyzwanie poszerzenia swoich parametrów. Jak wyjaśnia teoretyk Al Karpenter, Mattin: „Ostatnia płyta była wynikiem pandemii, introwertyczna, odizolowana i z bluesową energią. Zamiast tego “The Forthcoming” jest wynikiem możliwości tworzenia muzyki i ponownego koncertowania. Mieliśmy tak niesamowity czas na trasie z Sunik Kim, Dominic Coles i Triple Negative, że pod koniec naszego koncertu w Cafe Oto wszyscy zagraliśmy razem”.
Niezależnie od tego, czy zagłębiamy się w maniakalną plądrofonię z Sunik Kim w “A Brand New Brontophobia”, czy też docieramy do ukrytych nor, które drążą tunele pod grzecznym społeczeństwem z anarchistycznymi dekonstruktorami rock-folku Triple Negative w utworze tytułowym, Al Karpenter obraca się wokół własnej matrycy. “Poison Sun” dodaje nowojorskiego Colesa do mieszanki i czujesz się tak, jakbyś huśtał się między konkurującymi stronami, próbując wchłonąć ich atmosferę podczas każdego przejścia.
Niezależnie od tego, czy zagłębiamy się w maniakalną plądrofonię z Sunik Kim w “A Brand New Brontophobia”, czy też docieramy do ukrytych nor, które drążą tunele pod grzecznym społeczeństwem z anarchistycznymi dekonstruktorami rock-folku Triple Negative w utworze tytułowym, Al Karpenter obraca się wokół własnej matrycy. “Poison Sun” dodaje nowojorskiego Colesa do mieszanki i czujesz się tak, jakbyś huśtał się między konkurującymi stronami, próbując wchłonąć ich atmosferę podczas każdego przejścia.
Mattin ponownie: „Uczucie żywiołowości, chaosu i rozdrobnienia jest skonfrontowane z przyjemnościami kolektywnego tworzenia muzyki. Ta płyta jest skierowana na zewnątrz, oczyszczająca, kompletna i złożona. Przeciwstawiając się faszyzmowi algorytmicznemu i skupieniu uwagi na Tiktok, The Forthcoming próbuje wyzwolić się dźwiękowo poprzez swoje gatunkowe podejście. Ta płyta jest bardzo współczesna.”
Bulletproof Socks 7 August 2023
Having grown-up in a communist family, while I was a primary school kid during the early to mid 90s I used to idolize all sorts of armed struggle and especially worshipped the freedom fighter of the PLO, the IRA and the Basque fighters of ETA. So, it shouldn't be any surprise that I'll shake my ass for anything related to Basque Country music, and more if it involved the great Mattin (check some here). A relatively recent duo of his is Al Karpenter playing with Alvaro Matilla, and The Forthcoming is their new album released by ever/never records. This is hard to categorize; it has too many ideas and styles thrown in, you get improvised skronk rock not unlike The Dead C and with some surprising Scott Walker-like croons, there's psych noise, there's electronic Aphex Twin-y stuff, oooffff. Really nice album. Go over to the ever/never bandcamp and buy it.
Al Karpenter and ever/never released on the same day a collaboration album between Al Karpenter and CIA Debutante, which is equally good or even better. It possesses the same musical references as the Al Karpenter album but it has a little bit more electronic AND bluesy stuff going around. Loving this. Buy it here.
Rock in Bilbo por Txema Mañeru, 26 de septiembre 2023
Nuestro querido Al Karpenter (Álvaro Matilla) ya ha pasado por las páginas de Rock In Bilbo con vinilos anteriores como “Musik From A Private Hell” que salió con el prestigioso sello francés de música vanguardista Bruit Direct Disques. Antes ya había publicado con el más prestigioso aún, sello neoyorquino, ever / never. En ellos contaba con variadas colaboraciones hasta de japoneses como Seijiro Murayama o Kenji Kariu. Pero la más importante era, quizás, la de su ídolo Mattin que aporta un montón de instrumentos y ruidos.
Ahora en «The Forthcoming» tenemos el explicativo sello que reza “Featuring Sunik Kim, Dominic Coles & Triple Negative”. Pero en que la banda para dicho disco está el propio Mattin con la computadora, el doble bajo, batería y voces. Marta Sainz pone el bajo eléctrico y voces y Enrique Zaccagnini añade percusiones, batería y voces. Según Mattin “The Forthcoming» es el resultado de las posibilidades de volver a hacer música y salir de gira. “Nos lo pasamos tan bien de gira con Sunik Kim, Dominic Coles y Triple Negative que al final de nuestro concierto en el Café Oto tocamos todos juntos«. También nos dice: «La sensación de exuberancia, caos y fragmentación se enfrenta a los placeres de la creación musical colectiva. Este disco es extrovertido, catártico, pleno y complejo. Contra el fascismo algorítmico y la capacidad de atención de Tiktok, “The Forthcoming” intenta un frente de liberación sónica a través de su enfoque de atornillar géneros. Este disco es de hoy«. Comienza con el tema homónimo junto a Triple Negative con voces esquizofrénicas y sonidos deslavazados, pero magnéticos. Estructuras repetitivas, pero con gancho y hasta con toques tribales. Suena más oscuros e inquietantes en ‘1995’. Lo bordan con los plunderphonics maníacos, junto a Sunik Kim en «A Brand New Brontophobia» con un bajo bazooka, electrónica noise y ambientes oscuros a lo Suicide. Cierran la cara A con ‘Poison Sun’ junto a los neoyorquinos Dominic Coles y Triple Negative. Narración marciana sobre noise alternando las voces de Al y Marta con mucha experimentación y teclados desencajados.
La cara B comienza con ‘Happy B-Day!’ que, paradójicamente, suena triste y marcial. Finalizan con una extensa ‘Drood (Can You Hear Me Now?’ oscura y experimental con ambientes cercanos al “Tilt” de Scott Walker. Precioso encarte interior, por cierto.
https://evernever-records.bandcamp.com/album/the-forthcoming
Como Al Karpenter & CIA Debutante tenemos la colaboración de Nathan Roche, voz y guitarra; Paul Bonnet, electrónica y los ya citados anteriormente Marta Sainz, Enrique Zaccagnini, Mattin y la inconfundible voz de Al. Mattin ha sido también el encargado de la grabación y las mezclas en Berlín. En artwork otra gozada ahora a cargo de Paul Bonnet. Una guapa colaboración entre los cabalistas marxistas españoles, Al Karpenter y los rosacruces franceses, CIA Debutante. Salpicaduras marxistas junto a surrealismo distópico. Realmente muchas voces: díscolas, crípticas, difuminadas, fundiéndose unas con otras, con resultados a menudo tan nebulosos como el pastis más embrujador. Yo añadiría también varias que son realmente inquietantes. Es normal que se nombre a Ash Ra Temple & Timothy Leary o a Brigitte & The Hansesn Experience. Estos últimos, por cierto, los citan Al Karpenter como referente claro en un artículo de 1 página dedicado a ellos en The Wire.
Suenan noise y maquinales en la apertura con ‘Born Dead’. Suspiros inquietantes alternando con voces de ambos sexos, percusiones electrónicas y chirridos de guitarras por parte de Nathan Roche. Aromas Suicide y noise en ‘Public Scaffolding’. Más reposados, pero también oscuros y cocainómanos en ‘Medieval Cocaine’, con denuncias sobre la situación en Somalia o Afganistán. Cierra la cara A los latidos y suspiros a lo Alan Vega de ‘Ruined Map’.
La cara B empieza insultante con ‘Fuck You All To Fade No More’. Sigue con los sintetizadores y la electrónica más asequible de ‘Put On Your Mask’. Otra vez a 2 voces y repleta de latidos y zumbidos. Emoción vocal y aires tribales en un ‘For Your Love’ que a mí me trae a la mente al mismísimo Nusrat Fateh Ali Khan. Estupendo final con un ‘This Is An Invisible Song’ que es el equivalente al ‘This Is Not A Love Song de los PIL de Johnny Rotten. ¡Creo que habrá más colaboraciones entre ellos! Ambos discos con el prestigioso sello ever / never y sus cuidadas ediciones.
https://evernever-records.bandcamp.com/album/s-t-6
Razorcake (20th Nov. 2023)
On this set of collaborations with tourmates Sunik Kim, Dominic Coles, and Triple Negative, Al Karpenter go deep into avant, liberated sonic territory. The pieces are electronic, fractured, nearly incoherent. No structure, no easy answers. You could say it’s somewhere between unhinged Fall remixes and abstract haunted house sounds. Can’t tell if it works or not, which is probably a sign that it works. –Matt Werts
KFJC (Californa)
Preston Peace 1/17/2024 12-inch, A Library
Al Karpenter’s third album finds the project joined by a number of collaborators in the recording studio after a live date at London’s Cafe OTO. Triple Negative, Sunik Kim, and Dominic Coles contribute to this wildly varying genre-elusive record, with mixed results. Sometimes each musician seems to do their own thing with little regard for the other players, often with little relation between the rhythm section and the vocal and guitar work. Styles shift within a single track, sometimes organically but often abruptly. Percussion ranges the gamut from throbbing high tempo electronic pulses on the title track and “A Brand New Astraphobia,” to stumbling, clattering, crashing metallic sounds collapsing inward on “Happy B-Day!”.
The more cohesive points were more immediately appealing, such as “1995”, whose looped percussion sample(?) anchors the entire affair. The anarchic guitar work from Triple Negative, drifting in and out of the mix, at times noisy, others calmer and folky, is a particular highlight on “Poison Sun”. Interesting electronic sounds abound as well, with “Happy B-Day!” featuring organ-like synth and clicks n cuts.
Lyrics tend toward the cryptic, non-sequitur, at times vaguely threatening, and their laconic delivery ranges from exclamatory to muttering. I got the feeling they may have all been improvised along with the music.
Only the final track, “Drood (Can You Hear Me Now)”, felt stretched beyond its ideas, with a lengthy, minimal, largely a cappella intro taking its time to develop into ominous electronic tones, scattered clattered percussion, asphyxiated vocal torment eventually rumbling back into a brief coda that sputters to a halt while recalling the opening poetics.
declive.diy (20 de febrero 2024)
Suele pasar que a veces no nos enteramos o nos pasan desapercibidas autenticas joyas que estan ahí, al alcance de la mano. A mi me pasó con @al_karpenter , a quien conocí personalmente el año pasado en un evento de @espora_espazioa . Despues de hablar con el estuve investigando a ver que musica hacia este señor, y me dejó atónito. Tiene un monton de trabajos editados, la mayoria de ellos colaborando con otros musicos. Varias cintas en @crystalmine_muzik que no habia llegado a oir, y mira que me gusta este sello... Y un par de LPs. Le compré el ultimo que sacó el año pasado a traves de @evernever.records . Y es que con este barakaldes se cumple que es mucho mas apreciado su talento en el extranjero que aquí...una pena.
El disco es una pasada, una especie de blues experimental, con guitarras disharmonicas, bases de percusion electronica que le dan un punto avant-garde muy sutil. Y el hilo conductor de todo es la voz de @al_karpenter , una voz magica. De ella se desprende el aroma blues que impregna todos sus trabajos.
Si os pasa como a mi, que habeis dejado a este hombre sin escuchar, remediarlo rapidamente, no os arrepentireis. Es facil encontrarlo en spoti o bc.
Ox-Fanzine - Ausgabe #171 Dezember 2023/Januar 2024
„Some thought is not a good way to spend lifetime“, lautet die Eingangszeile von „The forthcoming“ und im Laufe der Restspielzeit des Albums steht im Raum, welche Gedanken Al Karpenter während der Aufnahmesessions eigentlich nicht hatte. Sein Projekt besteht in der derzeitigen Form aus drei weiteren regulären Mitspieler:innen, unter anderem Mattin von der Band REGLER, die es sich zur Aufgabe gemacht haben, jedem Genre ein Album zu widmen. Dazu gesellen sich die anarchische Folkrock-Band TRIPLE NEGATIVE und die beiden New Yorker Experimentalmusiker:innen Sunik Kim und Dominic Coles. Mattin bringt die ambivalente Art, wie „The Forthcoming“ entstanden ist, auf den Punkt: Das Fragmentarische, Chaotische und Überschwängliche stehe in Konfrontation mit einer kollektiven Erfahrung des gemeinsamen Musikmachens. Es ist dementsprechend naheliegend, dass die Musik aus derart vielen ungewöhnlichen und auf den ersten Blick unpassenden Versatzstücken zu bestehen scheint. Es ist vergnügte Kammermusik mit einem Haufen schräger Einfälle.
Auxiliary Out (20th August 2024)
Al Karpenter - The Forthcoming [Ever/Never]
Al Karpenter & CIA Debutante - Al Karpenter & CIA Debutante [Ever/Never]
When something cool finds its way to me from Spain, there’s a good chance Mattin is involved somehow (see La Grieta) and Al Karpenter is no different. Much like Alice Cooper before him, “Al Karpenter” is both the name of the bandleader and the band. On The Forthcoming LP released by Ever/Never, Al Karpenter (the band) is rounded out by Marta Sainz, Enrique Zaccagnini and Mattin, of course. The participants don’t stop there. Ever the collaborator, Al Karpenter (the band) is joined by one or more of the following on five out of six tracks: Triple Negative, Suni Kim, and Dominic Coles. The Forthcoming is a calculated mess, and a pleasant one at that. The earth is ever shifting beneath the listeners feet but Al Karpenter never assaults nor overwhelms. There is a surprising amount of space given the number of humans who had a hand in the birth of these sounds. Karpenter’s fragmentary lyrics find air to breathe amid rumblings of double bass, frayed guitar chords, left-channel jazz band ruminations, bleep-bloops and shhhhzzkkszzz of digital sandpaper. Just about everything is at Al Karpenter’s disposal to form these fractured fairy tales. There’s little in the way of suspended sounds, which makes the sustained tones that rear their heads on album highlight “Happy B-Day! (with Dominic Coles and Suni Kim)” all the more arresting. And when you finally arrive at the epic closer “Drood (Can You Hear Me Now?)” you know for sure that Mr. Karpenter kneels at the altar of St. Scott (Walker) and everything becomes clear as a stained glass crucifixion. Pulling from eras as far ranging as dada, beat poetry, underground rock and software-derived sound design, Al Karpenter brews a cauldron of complex and complimentary sonic scraps.
The collaborative spirit lives on with the eponymous debut of Al Karpenter & CIA Debutante (also on Ever/Never), who likely found each other to be their only match on whatever dating app is popular with European avant-rock outfits these days. In my prior experience with CIA Debutante I mentioned the fragrances of The Shadow Ring and Excepter, and I’d say based on those comparisons alone you can hear the influence of CIA Debutante right away on “Born Dead’. A slow, queasy crawl of comatose drum machine and drifting oscillators. Does CIA Debutante make Al Karpenter weirder, and vice versa? At what point do you just hit the max weirdness brick wall and no amount of multipliers can push the weirdness an inch further? “What’s left of the village?” Karpenter repeatedly intones on “Ruined Map” the most blearly-eyed and quietly antagonistic track on the record. I’m pretty sure the villagers fucking left, dude, you were just too weird. I don’t think they took kindly to your insistent performance of “Fuck You All To Fade No More” in the town square, with all the unappreciated frequencies flyin’ at ‘em. “For Your Love” is, unfortunately, not a Yardbird’s cover. Come to think of it, that probably would have overweirded the weird wall. Instead, it’s the occasional filter sweep, someone rustling around in the kitchen for that goddamn missing saucepan, a distressed woman hollering and Karpenter showing up at the end to chide us: “You have to leave a lasting impression”, he says. Indeed.
The supergroup attempts to make a hardcore record and a Mark E. Smith tune at the same time on “Public Scaffolding” with Al Karpenter seemingly doubling its typical tempo. The arrangement shifts imperceptibly at first sounding like a theoretical rock band then an industrial appliance testing facility by the end. Every anti-rock & roll record has got a party tune, and “Medieval Cocaine” is the party tune here (fans of Budokan Boys’ I’m So Broken Up About You Dying oughta take note). Feel that bass curling up your belly making you want to freaky deaky? It wraps with a plunderphonic D’n’B jam just to keep you on your toes. Perhaps most disturbing of all are “Put On Your Mask” and “This is an Invisible Song” which are the most harmonious moments of the album making them somehow more deeply unsettling than the cacophonies. I think it's pretty easy to figure out whether Al Karpenter or any of his/its collaborators are for you.
cine_music_mania
Secondo disco a nome Al Karpenter uscito nel 2023 dopo quello che ho già proposto con CIA Debutante.
Anche qui siamo a livelli altissimi.
Decostruzione.
Questo è quello che mi viene in mente ascoltando questa musica.
La musica che si impone per sottrazione.
Eppure, nella sua complessità, questo disco, ai miei occhi, risulta piacevole e zeppo di invenzioni magnifiche.
Certo non credo faccia grandi numeri su Spotify. C’è bisogno di ascoltarlo con attenzione.
Bisogna dedicarsi un po’.
Però quello che riesce restituire è ampiamente gratificante per l’ascoltatore.
Ágora Sol Radio (23-04-2025)
Seguimos con Al Karpenter, seudónimo del músico vizcaíno Álvaro Matilla, pero desde 2022 es también el nombre de una banda formada por el propio Matilla, Marta Sainz, Enrique Zaccagnini y Mattin.
De raíces musicales eminentemente garageras –al estilo Jon Spencer Blues Explosion, aunque con influencias de la no wave o Sonic Youth–, ha formado parte a lo largo de los últimos veinte años de numerosos grupos como Morraia, Los Chromos o Lapidaciôn Läser –varios de ellos, proyectos de una única grabación–, además de haber impulsado o participado en propuestas más experimentales como KRPNTRS y haber colaborado con músicos de las órbitas más experimentales de todo tipo de espectros –personalidades como Mattin, Enrike Hurtado, Ainara Legardón, Loty Negarti o el director de cine Jorge Núñez de la Visitación–.
“The Forthcoming” es un compendio de las formas más neuróticas del free rock en el que caben lo industrial (sin ritmos maquinales), el ruidismo poblado de glitches o la improvisación libre, con ese punto esquizofrénico que siempre tiene otro artista que parece una de las grandes influencias de Al Karpenter, esa figura legendaria de Fluxus y el antiarte que fue Henry Flynt.
Aunque he dicho anteriormente que “The Forthcoming” es un álbum “en solitario”, no lo es: ahí están colaboradores como el cineasta y músico ruidista angelino de origen coreano Sunik Kim, el improvisador estadounidense Dominic Coles o el grupo Triple Negative (un trío formado en Londres por el neozelandés Matthew Hyland, la alemana Anja Büchele y el estonio Dennis Dubovtsev).
De todas formas, este disco son fabulosas manifestaciones de una vanguardia que, por valentía y nihilismo, es heredera directa de los caminos insospechados abiertos en los años setenta por Throbbing Gristle.